How to create a positive image by painting negatively in watercolor?
In this little study I work from a tiny thumbnail line sketch (approximately 1 inch high). By working with such small reference there is no way for me to understand the detailing in the subject matter. All I have are large divisions of space.
This kind of approach has both positive and negative impact on the painting process. Were I to execute a full sheet watercolor I would most certainly make a more detailed drawing and explored the intricacies of the subject. But for a small study like this the 1 inch sketch is perfect.
I start my painting with a simple, flat shape that goes from top left to bottom right of the picture. Notice that I make sure to make connections along the way.
In the next layer I paint over this initial shape with a violet wash that is to indicate shadow pattern. Shadow pattern is a suggests light source and it’s always a good thing to have some light effects in a painting that is supposed to be somewhat representational.
If you wonder what I’m looking for when painting the first two layers here is the answer: I look only at the negative space. I’m more interested in the remaining whites much more than in the positive shapes that I’m actually painting.
Finally, I add some warm color accents and strengthen the overall midtones throughout the painting.
Darks finish the painting and add spark and interest. I also use some calligraphic details that finish the painting.
